When you write about post-Civil War America it’s impossible not to bump up against war wounds. John Weldon in The House on Tenafly Road is addicted to morphine, given his first dose in a Civil War hospital by well-meaning doctors trying to keep him comfortable before his eventual death–which never happens. He escapes in his best friend’s new boots with a stash of morphine, laudanum and some new British-made syringes.

Only one man, Doctor Graham Crenshaw with some hidden mental war wounds of his own (his family blames him for the deaths of his brothers) recognizes Weldon’s problems, but he’s a quiet man. I thought after so much medical research he’d eventually get a good medical novel of his own but it’s in his character to work quietly in the background, allowing others to form their misconceptions about him and the bloody work he did during the war as a brilliant young surgeon.

With a name like Graham Crenshaw he deserved fame but instead served a higher purpose–he had piles of children with his wife, one of them being Buck Crenshaw. I think I’ll still get more medical one day (most of the Civil War medicine was cut from the first two novels) and I look forward to it because blood and guts and misplaced emotions are what I’m about as a writer.

By the way, Civil War Medicine by Alfred Jay Bollet, MD is fantastic even if you don’t like blood and guts.